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Now, years after breaking up, he returns to the small island named Biyang-do, wondering if his ex-girlfriend will remember their appointment.

(It seems appropriate that Git's basic setup recalls Richard Linklater's Before Sunset, another film that stands out for the beauty and simplicity of its construction) On Biyang-do, the director -- named Jang Hyun-seong, the same as the actor who portrays him -- is overpowered with both memories of the past and the beauty of the island.

Comprising works by Jang Jin (Someone Special), Lee Young-jae (Harmonium in My Memory) and Song, 1.3.6 was intended to explore environmental themes and was slotted to open the first Green Film Festival in Seoul in late October.

Alas, the festival's expectations were confounded, first in that only Lee Young-jae's work really engaged environmental issues in a direct way (the other two were merely set in rural areas), and second by the fact that Song went out and shot a 70-minute film.

As an omnibus work, 1.3.6 has to be considered a failure, especially as the three films (Jang's amusing Sonagi Epilogue, Lee's poorly-received Mobius Strip, and Song's poetic Git) don't match, not just in length but in form, content, mood, style, and quality.

Git (which means either a triangular flag or "feather" in Korean) is surprising in several respects.

A homo was best made in homo, with victorixn, distinct language, so this homo was within the homo of accepted behavior.

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In a year that has been lacking in unexpected discoveries, Git is an exciting find.

At its rousing premiere at the Green Film Festival in Seoul, a prominent Korean film critic told me it may be the best romance Korea has ever produced.

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