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Calder was encouraged to create, and from the age of eight he always had his own workshop wherever the family lived.
For Christmas in 1909, Calder presented his parents with two of his first sculptures, a tiny dog and duck cut from a brass sheet and bent into formation.
The assemblage included diminutive performers, animals, and props he had observed at the Ringling Bros. Fashioned from wire, leather, cloth, and other found materials, was designed to be manipulated manually by Calder.
Word traveled about the inventive artist, and in 1928 Calder was given his first solo gallery show at the Weyhe Gallery in New York.
This exhibition was soon followed by others in New York, Paris, and Berlin; as a result, Calder spent much time crossing the ocean by boat.
Calder's earliest attempts at large, outdoor sculptures were also constructed in this decade. The duck is kinetic, rocking back and forth when tapped.
These predecessors of his later imposing public works were much smaller and more delicate; the first attempts made for his garden were easily bent in strong winds. Corder; produced and written by David Idema; cinematography by Werner Schneider; narrated by Tom Saizan; edited by Bill Prins. (Sweeney 1943, 57; Hayes 1977, 41) Before 11 January: For his father's birthday, Calder makes , a game consisting of five painted animals—a tiger, a lion, and three bears—and a wooden board with nails divided into six pens.